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A*P*E |
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a.k.a. Ape, Attack of the Giant Horny Gorilla, A*P*E: Attacking Primate Monster
South Korea, 1976 |
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Starring Rod Arrants, Joanna Kerns. Directed by Paul Leder. A giant ape bound for Disneyland escapes and rampages around South Korea. The inevitable female target of his attentions is an actress in Korea filming a movie where she gets raped in every scene! Originally shot in 3-D, with an ape suit that looks like it was put together from carpet samples. |
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Amazing Colossal Man, The |
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United States, 1957
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Starring Glenn Langan. Cathy Downs. Directed by Bert I. Gordon. When Stan Lee wrote his version of this story (man rushes out of protected bunker to save clueless would-be victim of experimental bomb test), he ended up with The Incredible Hulk, the grumpy gray/green giant who burst forth from a nerdly young scientist whenever he became angry. In this film by Bert I. Gordon and Mark Hanna, however, Lt. Col. Glenn Manning finds himself growing without limit. Who can blame him if he goes a little nuts in the process? This is Gordon's most famous film, which is not to say it is his best, but it does have a certain charm and the pseudo-science (which accounts for Manning's insanity, but not for his violations of the laws of conservation of mass) is sure to drive any actual scientists in the room completely bonkers. |
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Arachnid |
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Spain, 2001
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Starring Chris Potter, Alex Reid, José Sancho. Directed by Jack Sholder. In the opening scene of Arachnid we see an invisible flying saucer abducting sea life from the Pacific Ocean. A stealth fighter accidentally strikes the saucer, and both craft crash on a small island. The human pilot investigates the still partially invisible saucer and finds an alien pilot – and then they’re both killed by a giant spider that jumps out of the jungle. Was the spider an escapee from the alien saucer? Another alien? Is it all just a coincidence? All these questions and more won’t be answered during the course of Arachnid. Instead a bunch of sci-fi/horror movie stereotypes arrive on the island looking for the stealth pilot, and the spider kills them one by one. |
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Atragon |
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a.k.a. Undersea Battleship
Japan, 1963 |
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Starring Tadao Takashima, Yoko Fujiyama, Yu Fujiki. Directed by Ishiro Honda. The undersea Mu Empire declares themselves the rulers of the world. Who can resist their super-science? Only a rogue Japanese naval captain who has secretly built a flying battleship known as Atragon! Can the Japanese government find him and convince him to fight the invaders? |
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Attack of the 50 Foot Woman |
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a.k.a. Astounding Giant Woman, The
United States, 1958 |
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Starring Allison Hayes, William Hudson, Yvette Vickers. Directed by Nathan Juran. There's an old joke. Two elderly women are at a Catskill Mountain Resort, and one of 'em says "Boy, the food at this place is really terrible." The other one says "Yeah I know, and such small portions."
- Woody Allen in Annie Hall It's hard not to feel like those two old women when watching Attack of the 50 Foot Woman; there's so much buildup to the title character that her eventual appearance almost can't help but to be a disappoinment. Then, after waiting an hour for the not-so-special effects that bring the enlarged Nancy Archer to life, the 50 Foot Woman is brought down in less than ten minutes, and the film is over. There's plenty to watch before Allison Hayes goes tromping through her character's small home town, most of it the sick human drama in which Nancy's weaselly (and adulterous) husband Harry (William Hudson) tries to have Nancy committed to an asylum so that he can gain control of her considerable personal fortune. Fortunately, there's also the apperance of Yvette Vickers as Harry's mistress, Honey Parker, and the brief foray into more traditional science fiction when the Sheriff stumbles upon the giant spaceship (and accompanying alien) that got Nancy into this trouble in the first place. Despite the wretched superimposition and back projection effects that create the illusion of Nancy's height -- and the giant papier maché hand that will inspire laughter in most viewers -- Hayes' performance as the enraged Nancy is mesmerizing. Unfortunately for Hayes, however, the sassy Vickers is the predomninant screen personality for the rest of the film. Writer Mark Hanna also co-wrote The Amazing Colossal Man. |
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Attack of the 50 Foot Woman |
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United States, 1993
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Starring Darryl Hannah, Daniel Baldwin. Directed by Christopher Guest. This modern-day remake was played for laughs but should have been a lot funnier, especially coming from Christopher Guest, the creator of some extremely funny films like This is Spinal Tap and Best In Show. Unfortunately it takes itself just a smidge too seriously while dabbling in domestic-abuse parable and becomes dreadfully boring as a result. There's not enough giant monster action here to justify sitting through the scenes in which Darryl Hannah's character throws herself a pity party. Skip it and watch the original instead. |
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Attack of the Crab Monsters |
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United States, 1957
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Starring Russell Johnson, Richard Garland, Pamela Duncan. Directed by Roger Corman. Giant mutated crabs lure victims into their caves with psychic calls before decaptitating the poor bastards. The strong script makes this one genuinely creepy; a good film to watch to see what made Corman's early work so compelling. |
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Attack of the Giant Leeches |
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United States, 1959
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Starring Ken Clark, Yvette Vickers. Directed by Bernard L. Kowalski. Florida swamp country is invaded by overgrown leeches, who do away with a cast of country bumpkins. Of particular interest is Yvette Vickers, 1950s b-movie sexpot queen. |
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Attack of the Super Monsters |
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Japan, 1982
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Starring Tetsuya Onishi. Directed by Toru Sotoyama. Best described as hard core drugs for small boys. Dinosaurs emerge from beneath the ground to destroy mankind and rule the Earth; only the G-Force Ripoff Team can defeat them! Originally a TV series, this mix of live-action giant monsters with animated characters is insanely loopy. The episodic nature of the TV series becomes evident as the team defeats another monster every twenty minutes or so, but there is an overall story arc. |
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| Giant Monster Movies is a Stomp Tokyo production. All text is copyright © 2003 Stomp Tokyo. Movie stills and cover art photos are the intellectual property of their creators, and are used here for the purposes of review only. |